"When I look to the future, but always look to the past. Time is a circle, the future and the past in the same direction, and this moment is the thinnest layer..." (artist unknown, Gwangju Design Biennale)
As promised, a bit of belated coverage on the
Gwangju Design Biennale as an excuse to weave in some thoughts on Korea's rapid transformation from a third-world agricultural nation to the technological powerhouse it is today in just 60 years... because that's how my mind works.
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The Gwangju Biennale |
Gwangju is known as the arts and culture capital of Korea, so it is not surprising that they host two large biennales to support local artists. This year's theme at the Gwangju Design Biennale was called "Anything, Something."
GUSIGI, MASIGI (Anything, Something) : the 5th Gwangju Design Biennale will explore cultural habits, shared characteristics, and coded conventions that inform the many unspoken contexts by which we communicate with one another. Two Korean words widely used in the Jeolla province, “GUSIGI, MASIGI,” is used to refer to an object or idea when the actual name escapes the mind, and is similar to the phrase “what do you call it” in English. Adopted from “GUSIGI, MASIGI”, “Anything, Something” keys into different elements of communication beyond literal speech such as emotional and cultural prompts as well as responses. The exhibition will explore such hidden contexts and habits in our day-to-day communication that inform designers sensitive to both familiar and new environments and who strive toward creative forms of understanding and expression. (Gwangju Biennale)
Given the theme, it was fascinating to visit this exhibition within the first week of moving to a country where I don't know the language or customs. The individual galleries were wide and varying, ranging from deconstructed straw mats to Louis Vuitton to Chinese furniture. Dani and I couldn't find printed literature on the theme, so it was hard to understand how these different things connected to each other. I was already feeling adrift between cultures, so it somehow made sense to have all these disparate pieces collected in the same space.
The featured gallery was called "Old and New" and focused on how traditional objects considered the "cultural DNA of Koreans" could be re-interpreted in a contemporary way highlighting their symbolic significance.
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Featured gallery on the "Old and New" |
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A cascade of straw bowls, "equally valid as an object of elegant design as well as utilitarian purpose." |
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Some of it was pretty pretentious, but you gotta give props for dropping "dream of postmodernism." |
I thought about this exhibit again after our orientation group was given a presentation on Korean history this week, covering the central defining events from the 1900s onward. The presenter was a young Korean-American woman and her passion for sharing her pride in Korea's incredible transformation from a third world to first world country had us enthralled for two hours. She did not hesitate to cover the darker, painful sides of Korean history, such as the hardships the Korean people endured during multiple wars, as well as the disturbing modern societal trends instigated by a national obsession with physical perfection and test scores.
I only took courses on China and Japan in college, so what I knew about Korea was through those courses or covered somewhat in colloquium. The precedence given to China and Japan is an ongoing issue within the field of East Asian Studies, so I graduated with this degree not knowing much about Korea. Given this, I am profoundly grateful for this opportunity to learn about this country from its own perspective.
What comes to mind when you think of Korea? It's probably...
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Dramas!
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Kpop! |
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Internet! Internet everywhere! |
See also: Televised gaming tournaments, Hyundai, LG, RAINNN!!!!
Before the 1960s, none of that existed. The Korean War caused such devastation to the point that it was considered a third world country.
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This is an iconic image from the time. Children were raising children. |
Korea was able to progress so rapidly through the highly controversial leadership of Park Chung Hee, who became president in 1961 through a military coup. He silenced any opposition and rebuilt all of Korea's infrastructure with the same ruthless efficiency.
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Seoul before and after. |
I can't say if the ends justified the means, but the results are incredible. It is no wonder why Koreans are so proud of their country. The pace of progress explains the bali bali culture,where everything and everyone here moves FAST. There are people in just their 50s, my parents' generation, who can remember an entirely different Korea while their kids are born clutching smartphones. People my age can only remember this bright and spectacular Korea, but it wasn't long ago at all that it was covered in rubble and farmland. The strata of society is comprised of generations of people who may as well been from different worlds. Despite the tension and friction from growing pains between the old and new, South Korea is a remarkable country and I'm excited to be here and learn more.
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"Cure" (Smartphones and candy inside IV drips) |
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"Gangnam Style" |
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A gallery of proposed designs for a flag that would represent both North and South Korea. Visitors could vote with small yellow stickers. |
For family and friends who follow this blog to stay updated on my activities and not for history lessons, I'm finishing up orientation week and will be moving to Hampyeong on Thursday!
Coming up: An overview of the Jeollanamdo Language Program and orientation week.